Now that the movie is fully cooked and out of my hands, I’m surprised by how long it took me to understand everything that was superfluous and could come out if it. There as one shot (a shot of a radio tower) that I held onto for no real reason: I wasn’t attached to it in any particular way. But when I cut it out, everything flowed better, it was like pulling a rock out of a stream’s path. Why did it take so long to see that?


About Jacqueline Goss

filmmaker, teacher
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